Omega Alpha | Open Access

Advocate for open access academic publishing in religion and theology

Category Archives: “The Hat Tip”

Lacking any sense of proportion: Michael Eisen pushes back on The New York Times’ “dark side of open access” article

On Sunday, April 7, 2013, The New York Times ran a front page article written by Gina Kolata entitled, “Scientific Articles Accepted (Personal Checks, Too),” which exposed “a world of pseudo-academia [running parallel with legitimate scientific and scholarly communication], complete with prestigiously titled conferences and journals that sponsor them.”

The number of these journals and conferences has exploded in recent years as scientific publishing has shifted from a traditional business model for professional societies and organizations built almost entirely on subscription revenues to open access, which relies on authors or their backers to pay for the publication of papers online, where anyone can read them.

The article quotes several scholars, who as a result of their personal experience have come to call this parallel world the “Wild West,” or the “dark side of open access.” The article also refers to the work of research librarian Jeffrey Beall, who tracks what he calls “predatory open access journals,” estimating “that there are as many as 4,000 predatory journals today, at least 25 percent of the total number of open-access journals.”

The article is highlighting a real problem. But after acknowledging (barely, in passing) that “open access got its start about a decade ago and quickly won widespread acclaim with the advent of well-regarded, peer-reviewed journals like those published by the Public Library of Science,” the clear message is that scholars today ought to be skeptical and suspicious about open access. Though not stated—indeed no constructive response or course of action is really offered in the article—the impression is left that in the face of open access run amuck, the only safe harbor is the “traditional business model…built on subscription revenues.”

“The dark side of The New York Times” and of commercial journal publishers

This article was too much for Michael Eisen, biologist at the University of California at Berkeley and co-founder of the Public Library of Science. In an April 9, 2013 blog post, Door-to-door subscription scams: the dark side of The New York Times,” Eisen pushes back:

[Y]es, a lot of these suspect journals charge authors for publishing their works, just like open access journals like PLoS do. But suggesting, as the article does, that scam conferences/journals exist because of the rise of open access publishing is ridiculous. It’s the logical equivalent of blaming newspapers like the NYT for people who go door-to-door selling fake magazine subscriptions(link is in the original post)

Eisen chides The New York Times for running “science’s version of the Nigerian banking scams—something far more deserving of laughter than hand-wringing” on its front page. He goes on to suggest a more significant scam story the paper might rather cover:

[I]f Gina Kolata and the NYT are really concerned about scams in science publishing, they should look into the $10 BILLION DOLLARS of largely public money that subscription publishers take in every year in return for giving the scientific community access to the 90% of papers that are not published in open access journals—papers that scientists gave to the journals for free! This ongoing insanity not only fleeces huge piles of cash from government and university coffers, it denies the vast majority of the planet’s population access to the latest discoveries of our scientists. (emphasis Eisen)

Michael Eisen is responding to the lack of any sense of proportion in this article. He sees a gnat-straining attack on open access, while routinely (and historically) camels are being swallowed through the current commercial publisher-controlled system of scholarly communication. Astoundingly, Kolata’s article doesn’t even mention commercial publishers. The closest she comes is a passing reference to “the traditional business model,” but she suggests this exists only to serve “professional societies and organizations.”

Eisen reminds us that the “Wild West” and the “dark side” in journal publishing isn’t a new phenomenon.

Long before the Internet, publishers discovered that launching new journals was like printing money—something Elsevier specialized in for decades, launching hundreds of new journals with hastily assembled editorial boards and then turning around and demanding that libraries subscribe to these journals as part of their “Big Deal” bundles of journals. These journals succeeded because there are always researchers looking for a place to put their papers, and many of these new journals greased the wheels by having fairly lax standards for publication.

Commoditizing the scholarly reputation economy

We all know something of the “dark side” of commercial publishing when we see dramatic increases in subscription prices, especially after a reasonably priced society journal is acquired by a commercial publisher. But what about the way commercial publishers have commoditized the scholarly reputation economy itself?

When we go out to buy a car, flat-screen TV, or a bottle of laundry detergent at the store we are accustomed to the notion that these products are price- and quality-tiered in the market to sell to various economic classes of customers. A single company may create a diverse product line and branding based on price/quality in order to reach all sectors of the consumer market, and so maximize their profit potential. We have been conditioned to the notion that higher quality (as material craftsmanship, or scarcity) commands a higher price, and unless you are of a certain economic class, you can only aspire to higher quality.

Although we might understand that a “top-tier” journal purports to reflect publication of a certain level of research quality—that’s why we call it “top-tier” (though it’s probably more correct to say it’s a matter of reputation)—we do not commonly assume that the products of scholarly communication (i.e., journals and articles) function quite like cars, flat-screen TVs, or laundry detergent. In the current system, a scholar may aspire to have his or her article published in a top-tiered journal. But depending on the editorial and review criteria, and results of the submission, that scholar’s article may be rejected at the top-tiered journal. The scholar will then need to resubmit the article to other journals (though ethically only one at a time) before finally succeeding in getting it published. The journal where the scholar finally succeeds may be understood as a “second-” or “third-tier” journal because it lacks the same level of reputation (though not necessarily less actual quality) of the aspired top-tier journal. We tend to chalk-up the success or failure of the scholar getting published to a combination of factors, but it comes down to the scholar’s reputation.

We understand the academic economy in terms of scholarly reputation. And when we look at and rank journals for reputation we tend to focus on the journal, not the publisher. We may be aware that a given journal is published by a well-known scholarly society, but less-so if it is published by a commercial publisher. I believe this is a failure of appreciation that Eisen is bringing to our attention—and it’s another aspect of the “dark side” of commercial publishing.

What would it mean if the same publisher owned not only a top-tiered journal in a given discipline, but also several second- and third-tier journals in that same discipline? What would be the purpose of this? If the economy is based on the currency of reputation, why is a commercial publisher interested in any journal other than a top-tiered journal? There can be only one real answer. The publisher is creating a price/quality product line, much like cars, flat-screen TVs, and laundry detergent, in order to profit from all sectors of this particular consumer market. Who are the customers in this market? The customers are the scholars themselves looking for venues to publish their research. (See Who are the customers? section in my blog post “The open access journal as a disruptive innovation.”)

After we get over the sting that a commercial publisher views scholars first and foremost as customers, we might agree that the publisher is providing an important service. After all, every research scholar needs a venue to publish (as Eisen points out). Publishers are simply providing a segmented market to account for a full range of scholarly customers—not only those who can “afford” through their acquired reputation to publish in a top-tiered journal, but also “aspiring” scholars who only have a little reputation to spend. The problem in this context is that the publisher doesn’t care simply about assuring the quality of the reputation economy. The publisher is looking to profit from customers in all its market sectors.

I hasten to say here that the editor of a so-called lower-tiered journal will (or certainly should) aspire to improve his or her journal’s reputation by working hard to attract reputable editorial boards, reviewers, and high quality research articles from reputable scholars. But reputations require time to establish. This is the challenge facing many newer open access journals. The quality may be there but the reputation is still being formed because the journal is not yet well-known. I am not suggesting that a commercial publisher would interfere with the scholarly reputation economy to the degree that a given journal will remain fixed within a particular market tier. I am merely suggesting that the publisher has interests that transcend the journal level. It is in the publisher’s best interest to make sure it has and provides venues—both top- and lower-tiered journals—for all potential customers.

Remember, too (if you read my post above), that the publisher is also a customer. The publisher needs academic papers from scholars as the raw material for their journals. No papers, no journals. No journals, no business. It’s that simple. Of course, papers are pretty cheap. I mean, scholars are literally giving them away to publishers at no cost! But what to do with the relatively limited capacity (even in an online environment) of a given journal to utilize all the raw material that might flow to it? Editors and reviewers typically reject the majority (90%+) of papers submitted to top-tiered journals. So what happens to the rest? Wasted? No. These can be utilized at the lower product tiers. There is no guarantee, of course, that a rejected paper will go to another journal owned by the same publisher. But as there are typically plenty of papers being produced, it is inevitable that the publisher will capture enough to sustain their journals in the other tiers. But it has to have journals at the other tiers. Eisen describes how commercial publishers have assured that all journal tiers get profitably sold. They bundle the lower-tier journals with the top-tier journals and sell them as a package to academic libraries for tens or hundreds of thousands of dollars a year in what are called “Big Deals.”

“Personal checks, too”

The alarm generated from scholars in the Gina Kolata article highlights a basic problem—it’s right there in the title. The scholarly community can too easily believe it is operating in an idyllic and enlightened economy of reputation, untainted by “base commerce.” That is certainly how it can appear at the journal level, where typically there is no money changing hands. (Though I recently read Richard Poynder’s interview with Jack Meadows, historian of scientific communication, who reminded me that it has not been uncommon for authors to be charged “page charges” to get articles published.) Consequently, reports of unscrupulous activity at the fringes of a relatively new, dynamic, and alternative publishing model raise consternation and fear. “Can open access be trusted if it is so easily abused?!” Meanwhile, commercial publishers have exploited, segmented, and commoditized the scholarly reputation economy for years, and no one seems to mind. Indeed, the article insinuates most obliquely that the traditional subscription-based business model (which is now largely controlled by the commercial sector) is the scholar’s only reliable savior.

Why is this? Many scholars are (still!) not well informed about the costs their libraries are bearing each year to keep access to cherished journals turned on. If they are aware, the fact has yet to impress them. When someone else is paying the access bill, the problem (what problem?) seems remote, and the status quo holds the day. But more, when someone else is paying for access scholars are less apt to fully think-through the implications of research—maybe even their own research—being locked-up behind a paywall. Is it any wonder that stories of the unscrupulous demanding payment of scholars from their own pocket for the opportunity to publish sound so appalling? It seems scholars will only begin to fully embrace open access as a viable and beneficial alternative when they are awakened to the economic costs that have been borne and continue to be borne to keep the “traditional business model” in business. While it is not inappropriate to report on the darkness that lies at the fringe, this should not be used to distract scholars from the darkness that lies at the heart. A sense of proportion would seem to require as much.

Public Knowledge Project releases Open Monograph Press version 1.0

Public Knowledge ProjectIn a press release dated March 26, 2013 on its website, Public Knowledge Project announced the first full version release (1.0) of its Open Monograph Press (OMP) open source monograph publishing platform software.

OMP is an open source software platform for managing the editorial workflow required to see monographs, edited volumes, and scholarly editions through internal and external review, editing, cataloguing, production, and publication. OMP will operate, as well, as a press website with catalog, distribution, and sales capacities.

OMP is the latest development at PKP, which aims to do for electronic online monograph publishing what its incredibly successful Open Journal Systems (OJS) has done for online journals. See the press release and visit the OMP website for a full list of this new platform’s capabilities and features. OMP could be a real boon to scholar-publishers in the humanities, where the monograph is still considered the gold standard for scholarly communication.

In the press release, John Willinsky, founding Director of PKP, and author of the book, The Access Principle: The Case for Open Access to Research and Scholarship (MIT Press, 2006), states: “We have worked hard to create a virtual publishing-house-in-a-box, which, in the hands of publishers and scholars, will give life to a new generation of learned books.”

Tribute to Aaron Swartz: Watch his “How we stopped SOPA” keynote at F2C2012

Open access to scholarly literature and research online depends upon an open Internet. It is easy to forget this is not a given. The Internet has become such an integral part of our daily lives as academics. We can hardly imagine now a world without it. We have sensed its potential and have been building an information infrastructure based on our experiences with its free beginnings. It is easy to take that freedom for granted.

It was one year ago today that Congressional leaders in the United States shelved two pieces of legislation, ostensibly geared toward curbing online piracy, but which could have had far-reaching and unintended consequences, threatening through censorship this concept of a free and open Internet.

It was a close call. The House bill, the Stop Online Piracy Act (SOPA), and the Senate version, the PROTECT Intellectual Property Act (PIPA), were widely believed, both within Congress and among their supporters in the media industry (including many commercial academic publishers), to be destined for easy passage. However, a groundswell of organizational and, most significantly, citizen opposition forced the lawmakers to back down.

A significant voice in that citizen opposition to SOPA and PIPA was a fellow named Aaron Swartz. Aaron was a prodigious young computer programmer and an activist dedicated to the fight for free and open access to information and knowledge on the Internet.

If you’ve ever attached a Creative Commons license to a research article, book, blog (mine!), or media production, Aaron’s contribution was there. If you’ve ever subscribed to a blog or received webpage updates using RSS, Aaron’s contribution was there. If you’ve ever visited Internet Archive, Open Library, or Wikipedia (as an editor), Aaron’s contribution was there, too.

Tragically, Aaron was found dead in his apartment on the morning of January 11, 2013, apparently the result of suicide. He was 26 years old.

This is a terrible and sorrowful loss. But resisting the temptation to engage in speculation or offer analysis, I found the most fitting tribute to Aaron Swartz on this anniversary of the defeat of SOPA and PIPA was simply to take 23 minutes to watch the keynote address he gave at the F2C: Freedom to Connect conference held in Washington, DC on May 21-22, 2012. In the speech, Aaron tells a story about how it was ordinary people, not a big company like Google, that won this round in the fight “to save this crucial freedom.” Open access depends upon an open Internet. Let’s not take that freedom for granted.

Hat Tip: “The Future of Publishing” (But I viewed it from the perspective of open access)

I’m surprised I hadn’t seen this earlier. I want to thank a librarian colleague for the link, who posted it this afternoon to a listerv we both frequent. This wonderfully clever video was uploaded to YouTube back in March 2010. According to the description, “This video was prepared by the UK branch of Dorling Kindersley Books and produced by Khaki Films.”

The video was produced for the commercial publisher’s sales conference. Ironically, I viewed it from the perspective of open access and found its message compelling and powerful.

I encourage you to view the 2:30 video in its entirety. I won’t spoil the experience. But I’ll give you a hint. Notice how the message (in this excerpt) completely changes when it’s rewound.

Is this the message?

I know what I want when I see it and
packaging
is more important than
content
I have to tell you
my attention span is too small for big ideas
and it’s just not true that
I read a lot and I like learning …

Or this?

I read a lot and I like learning
and it’s just not true that
my attention span is too small for big ideas
I have to tell you
content
is more important than
packaging
I know what I want when I see it and …

The part about content or packaging proved serendipitous. Unbeknownst to my colleague, he posted the link just as I was preparing to participate in a thread discussing scholarly societies that turn their journals over to commercial publishers, and how this all too commonly results in increased institutional subscription prices. Here is an excerpt:

In addition to being a medium for research communication, I know many societies intend their journal to be a source of revenue to help subsidize other programming. In the print era especially, offering the journal as a benefit of membership is a long-standing tradition that is surely under considerable pressure as this incentive is losing its appeal in the digital age. I imagine that increasing institutional subscriptions is seen as a partial solution, and making a deal with the (commercial publishing) devil who has a lot of experience and brand recognition is seen as the (only?) way to do this credibly.

I appreciate this is simplistic. But it seems to me that the dilemma of a society in this situation is at least exacerbated where there is the perceived need to view their journal as a source of revenue in addition to it being a medium of research communication. If the revenue component could be minimized, or taken out of the equation entirely, then the focus could shift to simple cost recovery of the later. If, further, expectations could shift to the content and its dissemination rather than product packaging, the costs that would need to be recovered would be further reduced. (I’m working on a piece following-up on a recent article that sees open access journals as a “disruptive technology.” Disruptive technologies originate down-market but grow as they are increasingly able to satisfy core customer demands. Meanwhile, commercially published journals may actually be shown to be over-shooting customer demand, and price consciousness becomes a more important consideration. What do consumers of scholarly research really care about? Content or packaging?)

I suspect that leveraging the perception of increased value might bring the entertainment of thoughts that this product should be able to fetch a higher price in the marketplace, especially based on traditional expectations. But I find it difficult to believe that the initiative for these thoughts generally originate with the societies, especially if the reason for going to the commercial publisher in the first place is to provide a rescue from the near-term prospect of insolvency. It’s a pretty big leap from: “What can we do to keep this thing afloat?” to delusions of grandeur: “Ha! Ha! This will turn our journal into a veritable cash cow! We’ll be rich!” (OK. Maybe that’s just a little hyperbolic. But it’s for effect.)

I imagine, rather, the conversation between journal editors and society publication committees when meeting with their commercial publisher partners to be more like: “Yes, we want our journal to be revenue positive. But can you assure us that there is enough value here to justify raising the subscription price that much? Don’t we risk driving away subscribers?” The publisher replies: “No question about value. More people will learn about your great journal on our great platform, which is sure to increase subscriptions. And hey, we’ll throw-in access to a backfile. Librarians love backfiles! Besides, the increased price will offset any short-term loss of subscribers. Don’t worry. We are committed to the long-term viability and success of your journal. We can’t succeed if you don’t succeed. We’re in this together!”

Content or packaging? Selling a product or getting a message out? Which is more important?

Hat Tip: Clay Shirky: Open access gives preference to our academic mission not our current practices

Author, consultant, and teacher Clay Shirky was the general session speaker on Wednesday, November 7 at the 2012 EDUCAUSE Annual Conference in Denver, Colorado. The session was entitled “IT as a Core Academic Competence,” and within it Clay Shirky described how the Internet, especially as a milieu for collaboration, is dramatically impacting how people learn and changing the ways in which knowledge is created and shared. The video of the session is available on the EDUCAUSE website, and Shirky’s presentation, which starts about 20 minutes in, is well worth a view.

The first question in the Q&A following Shirky’s presentation (at 59:40) was about open access journals. His response:

The real tension around open access journals is that institutions occasionally get to this moment—the moment I think our community is in—where you’re given a choice between conserving your mission and conserving your practices. Institutions tend to want to preserve the problem to which they are the solution. And so we have a world where trying to keep the current structure of journals intact has become obviously a goal of, say, Reed Elsevier, but also it’s just the easy slot to fall into for tenure committees, if you know how to rank them. At the same time, we have open access journals, which are plainly more in line with our academic self-conception, mission, and goals. Not just for the generic spreading of information, but for the internal professional needs for wide self-criticism and conversation.

So the first thing I think you have to say about open access journals is: We have to support them. Interestingly, as the number of submissions to a journal goes up the quality of the submissions they can choose also goes up. … The other thing we can do, as some institutions have already done, is to announce that our institutional preference is for our mission and not our current practices, and that we expect faculty to expose their work widely for feedback and for conversation. That de facto means preferring the open access journals. Not as a way of intervening in the fight with Reed Elsevier, or what have you, but simply as a way of living up to our own stated goals. (emphasis added)

Hat Tip: Open Access Explained!

One of the clearest, concise, and entertaining explanations of open access I have seen. Check-out this animated comic, Open Access Explained! narrated by open access advocates Nick Shockey, Director of Student Advocacy at SPARC (Scholarly Publishing and Academic Resources Coalition) and Jonathan Eisen, Professor of Evolutionary Biology and Ecology at University of California, Davis on the PHD Comics website.

The piece focuses on open access to publically-funded scientific research. I wished for more of a nod to Humanities scholarship and the unique challenges of our disciplines relating to open access. But the explanation still translates very well. For example, this excerpt—I believe it is Jonathan Eisen speaking—could just as easily be applied to Humanities scholarship:

I think the main impediment [to open access] is the slow movement of scientific cultural practices. Scientists, despite being great explorers in terms of knowledge, are sort-of very conservative in changing their practices. Lots of the [scientific] community says: “O yeah, I support openness…but I want a Nature paper [that is, I only want to publish my research in a high-profile journal].” That reliance on impact-factor and the name of the journal [prestige] does allow some journals to not respond to the community pressure toward openness…

[We need to experiment with other models.] I view it much more as scientists and scientific publishers are slow to change. Some of them are going to be left in the dirt because openness is clearly the future. The creative ones are going to survive.

Hat Tip: “How to Succeed in Publishing Without Really Trying”

This hat tip goes to Bryn Geffert, Librarian of the College at Amherst College, Massachusetts for his creative retelling of C.S. Lewis’ The Screwtape Letters on today’s Inside Higher Ed site, entitled “How to Succeed in Publishing Without Really Trying.”

Lewis’ 1942 satirical novel reads as a series of letters written by a senior demon named Screwtape, who is mentoring his inexperienced nephew Wormwood in the finer points of how to secure the soul of an unsuspecting British chap—”the Patient”—into hell.

In Geffert’s retelling, Uncle Screwtape is mentoring Wormwood as an aspiring academic publishing magnate.

My Dear Wormwood,

So you aspire to become an academic publishing magnate. You noble devil.

Supporting the life of the mind. Disseminating research conducted in the public interest. Sharing the output of the academy with those beyond our ivy-encrusted walls. Making information universally accessible. Enlightening the world. Concerned only for the common good, with no thought of profit. Such care for the scholarship, the academy, the developed world, the developing world.

Such altruism. Such nobility of soul.

Your mother raised you right, young man. I am prouder than I can say.

Your Admiring Uncle,

Screwtape

But in true demonic fashion, it turns out Screwtape’s tongue was deeply lodged in his cheek. His second letter begins:

My Dear Wormwood,

For Hades’ sake, you dolt! You wouldn’t recognize sarcasm if it bit you in the nose.

Of course I was joking….

Uncle Screwtape reserves special distain for open access. He encourages his nephew Wormwood to play-off the fears of his scholarly captives, who might deeply suspect their work will not be taken seriously if they publish in an open access venue. Picking up mid-way into this letter, Screwtape writes:

[W]ill any scholar sully her name by allowing a press—no matter how reputable, how long a track record, how committed to quality editing and peer review—to distribute her work for free? Of course not.

Granted, she will receive no compensation for publishing her article with you. But the impressive price tag you put on her book provides an imprimatur of importance, solidity, and worth. A free publication? Your gut and my gut know that gratuitous goods have no value. Free = worthless. Ask any marketing specialist.

Fourth, nobody need remind the professoriate just how many open-access publications are, shall we say, rather sketchy. Consult the Directory of Open Access Journals to peruse a stunning variety of semi-reputable and dodgy titles sprinkled among the worthies that demand rigorous peer review and scrupulous editing.

If we play this right, we can easily tarnish the very notion of open-access by pointing to some embarrassing examples. You know the argument: Toyota once produced a lemon, ergo all Japanese cars are lemons.

Fifth, faculty don’t care whether anybody reads their work. Research indicating that articles in open-access journals enjoy many more readers than articles behind paywalls: couldn’t be more irrelevant. Of absolutely no consequence to academic authors.

And sixth, fear works to our advantage. Gently cultivate the gut-wrenching anxiety of young faculty facing tenure and promotion. Nobody is more uncertain and skittish than an assistant professor planning for D-Day. Milk this for all it’s worth. Remind young faculty how deeply you care about them: your sole concern is their welfare and success, and thus you would be heartbroken if they elected to publish in any journal or with any monograph press that exudes even the faintest odor of novelty. Too great a risk. Anything the least bit unfamiliar is uncertain, and uncertainty is to be avoided like the plague.

Thanks for this great read, Bryn! It nicely captures the spirit of C.S.

Hat Tip: David Weinberger interviews open access advocate Peter Suber

This hat tip goes to the Radio Berkman podcast at the Berkman Center for Internet & Society (Harvard University), Episode 206 for August 16, 2012, entitled “Unlocking Research.” In this episode, David Weinberger interviews open access advocate Peter Suber.

Peter Suber is Director of the Harvard Open Access Project and author of a new book on open access called (simply) Open Access (MIT Press, 2012). In this interview, Suber provides a clear and concise portrayal of what open access is all about, and where it is heading. Here’s a particularly interesting segment, where Suber speaks to the challenge of open access while also exposing a couple of key issues that need to be sorted out in this scholarly communications debate:

Weinberger: There are certainly still, let’s say, social and career reasons why at least some researchers like to publish in closed access journals. Is that changing?

Suber: It is changing. The advantage for researchers is not that the closed accessed journals are closed, it’s that some closed access journals are prestigious. So the advantage comes from the prestige not from the lack of openness. When an open access journal is just as prestigious as a closed journal then all the advantages lie on the open side.

But to gain this kind of prestige a journal needs to have been in existence for a long time. It needs to be venerable. It needs to have been around long enough to have a reputation. Open access journals tend to be new, for obvious reasons. So most of the venerable, high prestige journals are not open. Some of them have converted to open. Some of them are now allowing open without providing open. Some of them are permitting authors to provide open. But by default most of them are not open, and the incentives for researchers, especially university faculty members is to publish in high prestige journals regardless of the terms of access.

Weinberger: One of the qualities that gives a journal prestige, though, is not simply that it’s old and venerable, but that it excludes most of what is submitted—that there is some type of editorial process, peer review processing, and very few items get in.

Suber: Right. But open access journals can have rigorous peer review at the very same levels. Having rigorous peer review and having a high rejection rate is orthogonal to openness in this sense. Because it doesn’t mean that a journal must be sold as opposed to given away, it just means that the editorial process has to be selective. The older journals can be more selective. Journals that have more prestige have a better reputation and can be more selective because they have more submissions. The more submissions you have the more you can afford to reject a larger number.

But the same thing can happen on the open access side. As more open access journals become prestigious—as they become selective they become prestigious; as they become prestigious they become selective—then they have the same advantages that the venerable high prestige, high quality closed journals have had. There has never been an advantage of being closed. There’s only been an advantage in being high quality, high impact, high prestige.

There’s a related problem for open access journals, which is that in order to acquire prestige, they must attract high quality submissions. But in order to attract high quality submissions they need prestige. So, brand new journals that have few submissions and no prestige yet—because they’re brand new—have a hard time acquiring prestige and quality. So this is another reason why the incumbent journals have a built-in advantage. Again, not because they’re closed, but because they’ve been around long enough to have both submissions and prestige.

One of the most common and harmful misunderstandings about open access is that the very purpose is to by-pass peer review, and that it’s to make all scholarly literature like Wikipedia, or like blogs. Not at all true. We want open access to the peer reviewed literature. … That’s the focus of most open access policies and most open access advocacy.

The interview is just over 28 minutes long, and is well worth a listen.

Hat Tip: Let’s not leave Humanities behind in the dash for open access

Nice article this morning by Peter Webster on the Research Fortnight website entitled “Humanities left behind in the dash for open access.” Check it out.

Webster observes that much of the current conversation around the growth of open access focuses on the sciences and use of an “author-pays” business model. He feels inadequate attention in the conversation has been given to the unique needs of humanities scholarship, and why it may be harder for humanist scholars to embrace open access based on the “author-pays” model.

There is no Public Library of History to match the phenomenally successful Public Library of Science.

“It is tempting to look for cultural roots to this problem, and for evidence of ingrained resistance to change, but I don’t think that gets us very far. Better to look at the distinctive ways in which humanities research is communicated.” Webster then provides a concise articulation of research communication in the humanities.

Webster is not suggesting humanities scholars will reject open access because their needs differ. But clearly a one size fits all approach will not help move the conversation forward. Webster’s concluding appeal:

All the disciplines stand to gain from a successful move to open access. However, much of the discussion about open access has been driven by the needs of the sciences. Let’s not allow the humanities to be collateral damage along the way.

Hat Tip: “Starting an Open Access Journal: a step-by-step guide”

“We can change the scholarly publishing world, but it’s up to you.” This is the contention of Martin Paul Eve, doctoral researcher in the department of English at the University of Sussex, Great Britain. My hat tip goes to Martin Eve for posting an excellent five-part guide for starting an open access journal on his blog. He designed the guide “for [humanities] academics who want to establish their own journals that are:

  • Peer reviewed, in a traditional pre-review model
  • Open Access and free in monetary terms for authors and readers
  • Preserved, safe and archived in the event of catastrophe or fold
  • Reputable: run by consensus of leaders in a field”

The guide covers, in more or less checklist fashion, the budgetary, technical and social groundwork essential to get an open access journal off on the right foot. Financial costs are fairly modest (e.g., pointing folks to the free open source Open Journal Systems platform from the Open Knowledge Project), though it assumes access to server hosting and a certain level of web-savvy technical support. Martin is encouraging in suggesting that with a little persistence, working through the technical details should not prove too daunting—even for humanities scholars.

Although the technical details are important, Martin places particular stress on the social aspects of building a strong support team (editorial board, peer reviewers, copy editors, proofreaders). He writes:

Academic journals work on a system of academic capital; you need respected individuals who are willing to sit on your board, even if they are only lending their name and you end up doing most of the legwork. It should only be a matter of time before academics realise that journal brand isn’t (or shouldn’t be) affiliated to publishers, but rather to the academics who choose to endow a journal with their support. Get good people who are respected within your discipline(s) and you’re on the right track.

This comment particularly impressed me as a facet of my own belief that scholars can move prestige to open access if they choose because prestige originates and fundamentally resides with scholars.

I caught-up with Martin Eve via email to ask him how he got involved with open access.

I actually first heard of open access several years ago when I setup the tech and structure of the postgraduate journal, Excursions. From there I read more and realised that I fundamentally disagreed with the way in which academic publishing works, particularly when I was seeing colleagues being laid off at universities in order to feed corporate profit machines. After Excursions, I wanted to show what OA could do for my own field and, as the extant journal of my area was slowing its publication rate rapidly, I pitched the idea last year. It had a great response, which is surprising for the humanities. But I had to learn a great deal more about digital preservation, DOIs and typesetting, hence the purpose of this guide.

The new journal Martin referred to is called Orbit: Writing Around Pynchon (ISSN: 2047-2870), which is dedicated to scholarly work pertaining to the writings of contemporary American novelist Thomas Pynchon and adjacent fields. Martin also co-edits another open access journal called Alluvium (ISSN: 2050-1560), and he is a contributor to the British newspaper The Guardian, where he writes on open access and higher education issues.

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